{"id":393,"date":"2024-06-22T11:47:19","date_gmt":"2024-06-22T15:47:19","guid":{"rendered":"https:\/\/guitar-faces.com\/blog\/?p=393"},"modified":"2024-06-25T09:58:53","modified_gmt":"2024-06-25T13:58:53","slug":"nashville","status":"publish","type":"post","link":"https:\/\/guitar-faces.com\/blog\/thoughts\/nashville\/","title":{"rendered":"Nashville!"},"content":{"rendered":"\n

I’m in Nashville, Tennessee this weekend with many fellow Reverse Engineers<\/a>. We’ve had a couple days to network and see the sights. In a minute I’m off to the Gallery of Iconic Guitars.<\/p>\n\n\n\n

This is another milestone in my journey. In just a year I’ve learned how to mix and master music in a digital audio workstation (DAW) and developed my hearing and listening skills in ways I’d feared might be beyond a person my age. I’m part of a highly supportive community, dedicated to bolstering our own learning through interaction and collaboration with others. It seems quite unique in an era and industry sometimes known for cutthroat competition. I am grateful.<\/p>\n\n\n\n

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The Mentors of Mastering.com<\/strong>\nL-R: Caleb Loveless, Rob Mayzes, Dane Holmes, Jake Kodweis, Michael Gilbride<\/code><\/pre>\n<\/div><\/div>\n\n\n\n
More to follow!<\/p>\n\n\n\n
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I’m in Nashville, Tennessee this weekend with many fellow Reverse Engineers. We’ve had a couple days to network and see the sights. In a minute I’m off to the Gallery of Iconic Guitars. This is another milestone in my journey. In just a year I’ve learned how to mix and master music in a digital […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"[]"},"categories":[1],"tags":[],"class_list":["post-393","post","type-post","status-publish","format-standard","hentry","category-thoughts"],"_links":{"self":[{"href":"https:\/\/guitar-faces.com\/blog\/wp-json\/wp\/v2\/posts\/393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/guitar-faces.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guitar-faces.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guitar-faces.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/guitar-faces.com\/blog\/wp-json\/wp\/v2\/comments?post=393"}],"version-history":[{"count":9,"href":"https:\/\/guitar-faces.com\/blog\/wp-json\/wp\/v2\/posts\/393\/revisions"}],"predecessor-version":[{"id":411,"href":"https:\/\/guitar-faces.com\/blog\/wp-json\/wp\/v2\/posts\/393\/revisions\/411"}],"wp:attachment":[{"href":"https:\/\/guitar-faces.com\/blog\/wp-json\/wp\/v2\/media?parent=393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guitar-faces.com\/blog\/wp-json\/wp\/v2\/categories?post=393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guitar-faces.com\/blog\/wp-json\/wp\/v2\/tags?post=393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}